Tears for Fears Break It Down Again Youtube
Tears for Fears | |
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Background information | |
Origin | Bath, England, Uk |
Genres |
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Years active | 1981–nowadays |
Labels |
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Associated acts |
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Website | tearsforfears |
Members |
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By members |
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Tears for Fears are an English pop rock band formed in Bath, England, in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the new wave synthesizer bands of the early 1980s, and attained international chart success. Tears for Fears were part of the MTV-driven 2d British Invasion of the US.[viii]
The ring's debut album, The Hurting (1983), reached number one on the UK Albums Chart. Their second album, Songs from the Large Chair (1985), reached number one on the Us Billboard 200, achieving multi-platinum status in both the UK and the United states of america.[9] [10] Songs from the Big Chair contained two Billboard Hot 100 number ane hits: "Shout" and "Everybody Wants to Rule the Earth". The latter vocal won the Brit Laurels for All-time British Single in 1986.[11]
After the release of their platinum-selling third anthology, The Seeds of Beloved (1989), Smith and Orzabal had an acrimonious split in 1991. Orzabal retained the Tears for Fears name as a solo project, releasing the albums Elemental (1993) and Raoul and the Kings of Espana (1995). Orzabal and Smith reconciled in 2000 and released an anthology of new material, Everybody Loves a Happy Ending, in 2004. The duo have toured on a semi-regular basis since so. After almost a decade in development, the ring'due south 7th album, The Tipping Point, was released in Feb 2022,[12] giving the band their sixth United kingdom Top five album and their highest chart peak in xxx years, and reaching the Tiptop 10 in numerous other countries, including the The states where it topped the Billboard Top Culling Albums and Top Rock Albums.
History [edit]
Formation and influences [edit]
Orzabal and Smith met as teenagers in Bath, Somerset, England. Their professional person debut came with the ring Graduate, a mod revival/new wave act whose influences included the Jam and two-tone music.[13] In 1980, Graduate released an album, Acting My Age, and a unmarried "Elvis Should Play Ska" (referring to Elvis Costello). The single only missed the pinnacle 100 in the Uk, but performed well in Espana and in Switzerland. The ring split in 1981. Presently subsequently, Orzabal and Smith became session musicians for the band Neon,[14] where they starting time met future Tears for Fears drummer Manny Elias. Neon besides featured Pete Byrne and Rob Fisher, who went on to become Naked Eyes.[15] The pair connected working together, drawing inspiration from artists such as Talking Heads, Peter Gabriel and Brian Eno.[16] [17]
Orzabal and Smith had become intrigued by the instrumentation and studio techniques of synth-pop artists including Gary Numan, Orchestral Manoeuvres in the Night (OMD) and Depeche Mode, and consequently moved their project in a more electronic direction.[xiii] [eighteen] The likes of OMD and Soft Cell had popularised the "duo" presentation within the synth-popular scene, inspiring Orzabal and Smith to package themselves as a 2-man unit of measurement, initially under the name History of Headaches.[nineteen] [20] The name Tears for Fears was inspired by primal therapy, adult past the American psychologist Arthur Janov, which gained tremendous publicity afterward John Lennon became Janov'due south patient in 1970.[21] When Smith and Orzabal finally met Janov in the mid-1980s, they were disillusioned to notice he had become quite "Hollywood" and wanted the ring to write a musical for him.[22]
As Tears for Fears, Orzabal and Smith intended to form the nucleus of the group and bring in surrounding musicians to help them complete the picture show. Around this time they met local musician Ian Stanley, who offered them costless use of his abode 8-rail studio. Stanley began working with the duo as their keyboard-player and, after recording 2 demos, Tears for Fears were signed to Phonogram Records in the UK in 1981 by A&R managing director Dave Bates. Their first single, "Suffer the Children", produced by David Lord, was released on that characterization in November 1981, followed by the first edition of "Pale Shelter" (produced by Mike Howlett) in March 1982, only neither release was successful.
The Hurting and beginning international successes (1982–1983) [edit]
The band accomplished their first gustatory modality of success with their tertiary unmarried, "Mad World", which reached No. 3 in the United kingdom in November 1982.[23] Their first anthology, The Hurting, was released in March 1983. For this album (and the side by side), keyboardist and composer Ian Stanley and drummer Manny Elias were considered total band members, though Smith and Orzabal were even so substantially the frontmen and public face[s] of the band.
The album, produced by Chris Hughes and Ross Cullum, showcased guitar- and synthesizer-based songs with lyrics reflecting Orzabal's bitter babyhood and his interest in cardinal therapy.[16] The album was a big success and had a lengthy chart run (65 weeks) in the UK, where it reached No. 1 and platinum status. It too reached the meridian twenty in several other countries and yielded the international hit singles "Mad World" (top 5 hit in South Africa), "Change" (top 40 hit in Commonwealth of australia, Canada, Ireland, Israel, Italian republic, the Netherlands, Poland and South Africa – their first unmarried to attain the US Billboard Hot 100), and a re-recorded version of "Pale Shelter". All three of these singles reached the Top 5 in the Great britain.
Towards the end of 1983, the band released a new, slightly more experimental single, "The Manner You Are", intended as a stopgap while they worked on their second anthology. The unmarried was a height-xxx hit in the United kingdom, but did non come close to matching the success of their three previous hits, despite a national concert tour in December of that yr (captured on the In My Mind's Eye live video release). The single, which heavily featured sampling and programmed rhythms, was a departure from Tears for Fears' previous musical approach. In the liner notes to their 1996 B-sides compilation anthology Saturnine Martial & Lunatic they wrote "this was the signal we realised we had to modify management", though the somewhat experimental way of the single continued to be reflected in their forthcoming B-sides.
Songs from the Large Chair and worldwide fame (1984–1986) [edit]
In early 1984, they began working with a new producer, Jeremy Green, on their new single "Mothers Talk". However, the ring were ultimately unhappy with the results and and so producer Chris Hughes was brought back into the fold and the "Mothers Talk" single re-produced for release in August 1984. A departure from their earlier works, the single became a top-20 hit in the UK, merely it was the follow-up single "Shout" (released in the UK in November 1984) that was the existent beginning of the ring's international fame.
"Shout", a top-five U.k. striking, paved the style for their 2d album, Songs from the Big Chair (released in February 1985), which entered the Britain album nautical chart at No. 2 and remained in the upper reaches of the chart for the adjacent 12 months. They did away with the predominantly synthpop feel of the first album, instead expanding into a more sophisticated sound that would become the band's stylistic hallmark. Anchored on the creative hub of Orzabal, Stanley and producer Hughes, the new Tears for Fears sound helped to propel Songs from the Large Chair into becoming i of the year's biggest sellers worldwide, somewhen being certified triple platinum in the Uk and quintuple platinum in the US (where it remained the No. 1 album for five weeks in the summer of 1985).[24]
The album'southward title was inspired by the book and boob tube miniseries Sybil, the chronicle of a woman with dissociative identity disorder who sought refuge in her annotator's "big chair", Orzabal and Smith stating they felt each of the album'south songs had a distinctive personality of its ain. The band had also recorded a runway titled "The Large Chair", which was released equally the B-side to "Shout" but was not included on the album.
The anthology's success came in conjunction with the array of hit singles it yielded: "Mothers Talk" (re-recorded notwithstanding once more for its US release in 1986), "Shout" (No. 4 UK, No. 1 in the US, Australia, Canada, Deutschland, kingdom of the netherlands, Switzerland and a huge hit in other territories), "Everybody Wants to Rule the World" (their highest-charting Great britain and Irish hit at No. two and another No. 1 in the United states and in Canada), "Head over Heels" (Uk No. 12, US No. 3, Ireland No. five, Canada No. 8), and "I Believe (A Soulful Re-Recording)" (Uk No. 23 and Republic of ireland No. 10).[25] Some regions even saw the release of limited edition x" singles for these hits, and a multifariousness of double packs and picture discs in addition to the regular seven" and 12" formats.
Post-obit the album's release, the band went on a world tour that lasted nearly of the yr, playing notably at the Montreux Gilt Rose Rock and Pop Festival in May 1985.[26] In September 1985, the ring performed "Shout" at the 1985 MTV Video Music Awards at the Radio City Music Hall in New York.[27] Too during the tour, Orzabal and Smith discovered an American female singer/pianist, Oleta Adams, who was performing in a Kansas City hotel bar, and whom they invited to collaborate on their next album. Towards the end of the yr, they released a video drove/documentary titled Scenes from the Big Chair.
In Feb 1986, having completed the lengthy and exhausting Big Chair world tour, Tears for Fears were honoured at the 1986 Brit Awards in London, where they won the Best British Single laurels for "Everybody Wants to Rule the World".[28] The band was too nominated for Best British Grouping and Best British Album, and Chris Hughes was nominated for Best Producer.[28] The band performed the song at the ceremony, which became the final public functioning of drummer Manny Elias who left the grouping before long after.
The same year, Orzabal and Stanley worked together on a side project named Mancrab and released a single, "Fish for Life", which was written for the soundtrack of the film The Karate Kid, Part II. The rail was written and produced by Orzabal and Stanley, and featured vocals by United states singer/dancer Eddie Thomas, who was i of the dancers in the video for "Everybody Wants to Rule the World".
Alive Aid [edit]
On thirteen July 1985, Tears for Fears were scheduled to perform at JFK Stadium in Philadelphia for the Live Aid charity consequence. However, on the morning of the celebrated event, it was announced that the band (who had actually been billed to appear at the event earlier they had fifty-fifty agreed to do so) had pulled out of the show. They were replaced past dejection rock group George Thorogood and the Destroyers, which had a strong Philadelphia-area following. The official reason given for their non-appearance was that two of their backing musicians, guitarist Andrew Sanders and saxophonist Volition Gregory, had quit due to the expiration of their contract; they were replaced by Alan Griffiths on guitar and Josephine Wells on saxophone for the remaining bulk of the 1985 world bout. In place of appearing, the band pledged to donate proceeds from their concerts played in Tokyo, Sydney, London and New York.[29]
As a further donation, the ring as well recorded a slightly rewritten version of one of their biggest hits and released it for the British fundraising initiative Sport Aid, a sister projection of Ring Assist in which people took role in running races of varying length and seriousness to enhance more money for African famine relief projects. Sport Aid's slogan was "I Ran the Globe", therefore Tears for Fears released "Everybody Wants to Run the World" (No. 5 in the United kingdom of great britain and northern ireland and No. four in Ireland). Indirectly, the band were involved in the before Band Help unmarried "Do They Know It's Christmas?" from 1984, which featured a slowed down sample from their vocal "The Hurting" (from their debut anthology of the same proper noun) in the introduction.
The Seeds of Love (1987–1990) [edit]
Information technology was 1989 before the group released their 3rd album, The Seeds of Dearest (on which Ian Stanley appeared for the terminal fourth dimension every bit a member of Tears for Fears), at a reported product cost of over a 1000000 pounds.[thirty] [31] The album was written largely by Orzabal forth with keyboardist Nicky Holland, who had toured with the band on their "Large Chair" world tour in 1985. Moving from various studios and using diverse sets of producers over many months, the band ultimately decided to scrap the recordings and take the reins themselves with assistance from engineer Dave Bascombe. Much of the material was recorded in jam sessions and later edited down. The length of the product impacted on the band'due south direction company, who had financially over-extended themselves in other business matters and were hoping for an earlier release engagement to pay off their debts.[32] [33]
The anthology retained the band's epic audio while showing increasing influences ranging from jazz and blues to the Beatles, the latter being axiomatic on the hit unmarried "Sowing the Seeds of Love".[34] The second single from the anthology was "Woman in Chains" (a top forty hitting in the UK, Canada, French republic, Ireland, Italy, Netherlands, Sweden and the The states), on which Phil Collins played drums and Oleta Adams—whom Orzabal would later guide to a successful solo career—shared vocals.
The album was a worldwide success, inbound the Uk Albums Chart at no. 1, making the superlative 10 in the United states of america and in numerous other countries, eventually going on to sell millions of copies internationally. The band ready out on an extensive "Seeds of Dear" world tour sponsored past Philips to start recovering the debt incurred during the recording process. The band's show in Santa Barbara, California, in May 1990 would be captured on the Going to California live video every bit the singles "Communication for the Young at Heart" and "Famous Last Words" delivered small-scale nautical chart success.[35]
A 64-page companion book, only titled Tears for Fears – The Seeds of Dearest, was released by Virgin Books in 1990 and offered all-encompassing insight from Orzabal, Holland and Adams into the songwriting and production process for the anthology, likewise equally the musical scores for each rail and rare promotional photographs from the era.
Interruption-up (1991–1992) [edit]
After The Seeds of Love, Orzabal and Smith had an acrimonious falling out and parted visitor in 1991. The carve up was blamed on Orzabal'south perfectionist arroyo to production and delays caused by Smith's jetsetting lifestyle and want to tiresome downwards the stride of their piece of work (Smith was too going through a divorce at the time).[36] Another factor in the break-upwardly was the band's director, Paul King, who declared defalcation in 1990 and was after convicted of fraud in 2004.[32] [37]
Post-obit Smith's divergence, Orzabal kept the band name alive past releasing the 1992 striking unmarried "Laid And then Depression (Tears Roll Down)". The single was released to promote the ring'south greatest hits collection Tears Roll Down (Greatest Hits 82–92), which featured every single to reach the Acme twenty, either in the UK or internationally, apart from the Sport Assist fundraiser. The anthology peaked at no. 2 in the UK, where information technology was certified double platinum, and as well reached the Top x in several other countries, including France, Italy and New Zealand.[38]
Second line-upwardly: Elemental and Raoul and the Kings of Spain (1993–1996) [edit]
In 1993, Orzabal (nonetheless under the name Tears for Fears) released the album Elemental together with longtime collaborator Alan Griffiths. Co-produced by Tim Palmer, it yielded the international hit "Intermission It Downward Again" (top 20 in the UK, Canada, France, and Italy) and was supported with another successful world bout, including a college tour of the US where "Break It Down Again" reached no. 25. Although it charted considerably lower in the Us than the previous ii studio albums (no. 45), it still earned a Gold disc there for sales of over half a million copies.
Orzabal, still working with Griffiths and Palmer, released another Tears for Fears album, Raoul and the Kings of Spain, in 1995. This album was a more than contemplative work that delved into his ain Castilian heritage and showcased a new Latin musical influence (Raoul was originally the name Orzabal'south parents wanted to give him, and is as well the name of his own first son). The anthology was not a commercial success by Tears for Fears standards, though small chart success came via the single release of the championship rail (peak 40 in the Great britain) and (to a lesser extent) the unmarried "God's Mistake".
In 1996 a B-sides compilation album, Saturnine Martial & Lunatic, was released on Mercury, which included B-sides and some rare tracks from the successful 1982–93 period.
Reunion: Everybody Loves a Happy Catastrophe [edit]
In 2000, routine paperwork obligations led the duo to re-found contact with each other afterwards Orzabal signed a business document on Smith's behalf.[39] Smith flew back to England (where Orzabal nonetheless lived) and they had dinner and decided to piece of work on a new album together.[40] [41] [42]
The songwriting sessions included Charlton Pettus (Smith's collaborator since the mid-1990s), and 14 songs were written and recorded in less than half dozen months. The ensuing album, Everybody Loves a Happy Ending, was released in September 2004. Two U.Due south. tours followed, and the 2004 tour included an unrehearsed guest advent by Oleta Adams at the Kansas City testify for a functioning of "Woman in Chains".
Everybody Loves a Happy Ending was released in the U.k. and Europe in March 2005 on Gut Records, shortly after the comeback unmarried "Closest Matter to Heaven" became the starting time Tears for Fears United kingdom Top 40 hit in a decade. The promo video for the unmarried was a colourful fantasy that featured Hollywood actress Brittany Murphy riding in a hot air balloon. The European releases of the album contained all 14 tracks recorded during the recording sessions, while the United states of america version merely contained twelve. A brief tour of larger UK venues followed in April.
A alive performance at the Parc des Princes stadium in Paris, recorded in June 2005, was released on CD and DVD in France and Benelux. Titled Undercover World – Live in Paris, information technology was released on the XIII Bis label in early 2006 and became a all-time-seller, with over lxx,000 physical copies sold in add-on to downloads. The CD contained a new studio song, "Floating Down the River", and a remastered Curt Smith/Mayfield track, "What Are We Fighting For?".
During this period, "Mad World" was re-recorded by Michael Andrews and Gary Jules for the soundtrack of the 2001'due south film Donnie Darko; a 2003 single release of the vocal reached number one in the UK for 3 consecutive weeks[43] and won Orzabal his second Ivor Novello Accolade.[44] This version also reached the Pinnacle 40 in numerous other countries between 2003 and 2013.[45]
In 2006, Songs from the Big Chair was re-issued over again by Universal Music. It included the rare pianoforte version of "The Working Hour", which had previously only been available every bit a limited edition particular.
In August 2009, the Raoul and the Kings of Spain album was also re-issued by Cherry Cherry-red Records, featuring seven bonus B-side tracks from the fourth dimension of its original release.[46] [ better source needed ]
2010–2020 [edit]
In April 2010, Tears for Fears joined the reformed 1980s group Spandau Ballet on their vii-date tour of Australia and New Zealand, before a four-date headlining tour of their own in Southeast Asia (Philippines, Singapore, Hong Kong and Taiwan) and a 17-date tour of the Usa.[47] [48] In 2011 and 2012, they played dates in the US, Japan, Republic of korea, Manila and South America.[49]
In May 2013, Smith confirmed that he was writing and recording new Tears for Fears fabric with Orzabal and Charlton Pettus.[50] In Baronial 2013, Tears for Fears released their first newly recorded material in nearly a decade, with a cover of Arcade Fire's "Set to Start" made bachelor on SoundCloud.[51] In 2014, the rails was included on a express edition iii-track 10" vinyl EP from the band called Ready Boy & Girls?, released exclusively for Tape Store Day, which also featured covers of Hot Chip's "Male child from School" and Animal Collective'southward "My Girls". All iii songs were recorded every bit "boot-kickoff" projects as the ring commenced work on their 7th studio album. In an interview on BBC Radio Devon in October 2014, Orzabal stated that the band had now signed to Warner Music Group and that around five or six songs had so far been completed for the new anthology.[52] [53]
To commemorate the 30th ceremony of the band'due south debut album The Pain, Universal Music reissued it in October 2013 in two deluxe editions. Deluxe editions of the band'southward second album, Songs From The Big Chair, were released on 10 Nov 2014. On 12 November 2014, Tears for Fears performed "Everybody Wants to Rule the World" on ABC's Jimmy Kimmel Alive! TV plan.[2] In mid 2015, the ring began a serial of live dates in the The states and Canada.[3] [54]
In July 2016, the band played their first live dates in the Britain in over ten years: the Newmarket Nights festival at Newmarket Racecourse on 29 July[55] and a closing night headlining advent at Camp Bestival at Lulworth Castle in Dorset on 31 July. The gigs marked the band's showtime UK festival appearances since Knebworth in 1990.[56] The band again toured the US and Canada in September and October 2016.[57]
In 2017, the band toured North America with co-headliners Hall & Oates,[58] and also played in Israel, at the British Summer Time Festival in London's Hyde Park on viii July, and at the Rock in Rio festival in Brazil on 22 September.[59] In a July 2017 interview, Orzabal stated that the band had collaborated with songwriter/producer Sacha Skarbek on their seventh anthology, The Tipping Indicate, and divulged several song titles from it including "My Demons", "I Honey You But I'one thousand Lost", "End of Night" and "Up Above the Earth".[60] In an interview with SiriusXM Canada the same month, Orzabal divulged that although the band had signed with Warner Music to release their new album (which had been scheduled for October 2017), Universal Music had then approached Warner Music about buying the rights to the album and so that they could release it (Universal being the rights holders of the vast majority of the band'due south back catalogue).[61]
Roland Orzabal'due south married woman, Caroline, died in the summer of 2017.[62] Tears for Fears initially withdrew from the remaining shows on their pending North American tour, only they resumed the tour in September 2017 at the Staples Heart in Los Angeles.[63] During his late wife'south affliction, Orzabal began writing songs that appear on the 2022 Tears for Fears album, The Tipping Signal. [64]
On 26 Oct 2017, the ring performed a 65-minute live set at the BBC Radio Theatre in London for the Radio two in Concert series, which was broadcast on both radio and television (via the BBC Reddish Button service). The following dark, the band played their first full-length UK concert since 2005, at London's Majestic Albert Hall. Prior to this, on 12 Oct, "I Love You But I'm Lost" was released as a single from a new 16-track Tears For Fears compilation anthology titled Rule the Earth: The Greatest Hits. In October 2017, the band announced an 11-date Great britain arena tour for Apr–May 2018, featuring Alison Moyet every bit the support act. However, the tour was postponed to early 2019 due to Orzabal's health problems following the death of his wife.[65]
The band performed at farther UK and European festivals in the summer of 2019, starting with the Hampton Courtroom Palace Festival on 18 and 19 June, the Woods Live festival at Delamere Wood on 21 June,[66] and the Nocturne Live Concert Series at Blenheim Palace on 22 June.[67] [68]
In Feb 2020, Songs from the Big Chair was the subject of an episode of the BBC series Classic Albums featuring new interviews with the band and all fundamental personnel from the album's cosmos and subsequent success.[69] To coincide with the album'south 35th anniversary, the 2014 deluxe boxed set was reissued by Universal Music, also as a new 12-inch vinyl pic disc of the album.
In Oct 2020, The Seeds of Honey album was reissued as various deluxe editions and returned the band to the Britain Top twenty.[70]
In November 2020, Everybody Loves a Happy Ending was made available through various streaming services for the beginning fourth dimension.[71]
New studio album: The Tipping Point [edit]
On 12 June 2021, Tears for Fears released the live double album Live at Massey Hall (recorded in 1985) for Tape Store Twenty-four hours[72] and in September, Orzabal and Smith were honoured at the Ivor Novello Awards,[73] celebrating their twoscore years in music.
On 7 October 2021, Smith appeared on the BBC Radio 2 programme The Zoe Brawl Breakfast Testify to introduce the band's unmarried "The Tipping Betoken", the first track from their 7th album, The Tipping Point, released on Agree Records on 25 February 2022.[74]
In November 2021, the ring appear a summer tour of the Usa and United kingdom of great britain and northern ireland to commence in May 2022.[75] [76] Two further singles, "No Minor Affair"[77] and "Suspension The Man",[78] were released before the album (respectively in early December 2021 and mid-January 2022). The Tipping Bespeak received largely positive reviews from critics[79] and entered the United kingdom Charts at number 2, giving the ring their sixth Great britain Peak 5 album and their highest chart peak in thirty years;[80] information technology too reached the Summit ten in numerous other countries,[81] and the number 1 in Scotland[82] and on the U.s.a. Billboard's Top Alternative Albums, Top Rock Albums and Top Anthology Sales charts (and inbound at n°8 on the Billboard 200).[83]
Ring members [edit]
Current members
- Roland Orzabal – guitars, keyboards, vocals (1981–present)
- Brusk Smith – bass, keyboards, vocals (1981–1991, 2000–nowadays)
Erstwhile members
- Manny Elias – drums, percussion (1981–1986)
- Ian Stanley – keyboards, backing vocals (1981–1987)
Timeline
Discography [edit]
- The Hurting (1983)
- Songs from the Large Chair (1985)
- The Seeds of Love (1989)
- Elemental (1993)
- Raoul and the Kings of Spain (1995)
- Everybody Loves a Happy Catastrophe (2004)
- The Tipping Point (2022)
Run across likewise [edit]
- List of artists who reached number one in the Usa
- Listing of artists who reached number one on the U.S. trip the light fantastic chart
- Listing of Billboard number-ane trip the light fantastic toe hits
- List of Billboard number-one singles
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OMD, Soft Cell... All of a sudden, the duo was in need – two guys and a tape recorder.
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- ^ Great britain Official charts
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- ^ Official Scottish Albums Nautical chart
- ^ Billboard.com
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Tears_for_Fears
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